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To kick off this product-only makeup rebrand, I delivered a high-gloss, high-energy commercial driven by vibrant color grading and ultra-clean motion design. Being on-site during production allowed me to direct specific shots and masterfully manipulate textures from experimental camera lenses directly into the final edit.
I directed and edited this flagship Royal Caribbean tour video onboard, combining an elevated hyperlapse style with custom infographics to seamlessly showcase the ship's scale. The seamless, physical transitions we engineered set the visual and structural standard for the brand's social and press content for years to come.
I served as camera operator and sole editor for this digital series, manually syncing nightly multi-cam concert footage and pushing early DSLR tech to its limits to deliver a cohesive, network-ready aesthetic. The final project blended high-energy live music cuts with rich color grading to capture the intimate craft of songwriting for Discovery online and a subsequent network compilation broadcast.
I cut this high-energy 30-second promo to distill the vibrant atmosphere of John Oates’ multi-day festival, using quick-cut editing and rich color grading to capture the essence of legendary headliners and intimate storytelling. The piece condenses a week of live multi-cam footage into a fast-paced, broadcast-ready teaser that showcases the unique energy of the Aspen event.
I took this dramatic Indiana Pacers game opener from concept and court-side, from shooting original footage to final compositing in Autodesk Smoke. It was a massive creative milestone, requiring a unified, energetic visual style designed specifically to blast across the arena's complex multi-screen layout.
